I knew what I wanted to do with the character because I enjoyed the graphic novels so much and her voice seems so specific to me. And also, the system of support we have, between the producers and the showrunner, Eliza Clark, the writers and the directors who came to set, I did feel really supported. A very long play, but it definitely helped with knowing the character arc and where the character is going.
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It works better as a TV show.” I love that we were given the first six episodes upfront, so it felt as though we were prepping a play.
Speaking to the movie, what I really love is that Eliza Clark said, “In order to honor the big adventure that is the graphic novels, this wouldn’t really function in the finite beginning and ending world of a movie. How quickly did you have to find your footing and figure out this character and her place in the story? Did you have time to figure out what you were doing, before you jumped into this?ĪSHLEY ROMANS: The process was intense yet gentle, if that makes sense. And then, you got hired in a recasting and thrown into it. It was first going to be a movie, and then a TV show, and even as a TV show, it’s been evolving and taking shape for awhile. While the survivors in this new world are struggling to figure out what comes next, Agent 355 ( Ashley Romans) suddenly finds herself in the unique position of being by the new president’s side, as she tries to get answers for why her son didn’t meet his demise.ĭuring this 1-on-1 phone interview with Collider, Romans talked about why this material works better as a TV show, connecting to the voice of her character, the collaborative creative process, the physical prep she did for the role, her stand-out moment in Episode 4, how Agent 355 feels about her mission with Yorick ( Ben Schnetzer), her most exciting and most challenging moment this season, what the atmosphere is like on set, and whether she has an idea of where Season 2 could go, if they get to continue telling this story.Ĭollider: This is a property that has been in development for quite some time.
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Vaughan and Pia Guerra, the drama series Y: The Last Manis set in a post-apocalyptic world after an event has wiped out every mammal with a Y chromosome, or so it seemed until one cisgender man and his pet monkey inexplicably turned up alive. Our next read along episode is by Uzma Jalaluddin.From showrunner/executive producer Eliza Clark and adapted from the DC Comics title by Brian K. In A Duke, The Lady, and a Baby, the hero’s name is Busick.
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Maybe you are more interested than Jen and would like to learn about how to fake a fossil.Īuthor Vanessa Riley is committed to reviving bananas regency names for men. Jen’s thread about fossils, which are just a McGuffin. Some hallmarks of a gothic novel are “the discovery of mysterious elements of antiquity” and also handsome men in great coats.Īll about the waltz and why it was so scandalous. The Bluestocking archetype is about a woman who is interested in science and learning in her own right, and is a reference to the Bluestocking Society, which was founded in the 1750s by Elizabeth Montagu and Elizabeth Vesey. The answer is that this way readers always know which of my three worlds they will be entering when they pick up one of my books.” She has said, “I am often asked why I use a variety of pen names. Now she publishes under 3 names: Jayne Ann Krenz (contemporary), Jayne Castle (PNR), and Amanda Quick (historical). Ravished was originally published in 1992 by Jayne Ann Krenz, who has a lot of pen names, including Jayne Taylor, Jayne Bentley, Stephanie James and Amanda Glass.
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